Paul Klee : Painted Songs Mini-Festival
Composer Jonathan Posthuma presents a recital of works from his series "Paul Klee: Painted Songs," including world premieres. Pieces for piano trio and improvisations for flute and electronics.
“Einst dem Grau der Nach enttuacht”
Jonathan Posthuma, voice and piano
Gallery II.D for Piano Trio
No. 130 "Ask Yourself" (Frägt Sicht, 1934)
No. 15 "Flowers in the Wind" (Blumen im Wind, 1922)
No. 18 "Intoxication" (Im Rausch, 1939)
No. 20 "Unstable Equilibrium" (Schwankendes Gleichewicht, 1932)
No. 16 "In the Magic Mirror" (Zauberspiegelbild, 1934)
No. 9c "Illuminated Leaf" (Belichtetes Blatt, 1929)
Erika Hoogeveen, violin
Olivia Quintanilla, violoncello
Brian DeYoung, piano
No. 64 “Masks at Twilight” (Masken im Zwielicht, 1938) (Symbol II)
Jonathan Posthuma, live flutes, ankle bells, electronics
Yoshi Weinberg, pre-recorded flute
Sydney Scherer, pre-recorded flute
Daniel De Togni, pre-recorded shakuhachi
Samsoche Sampson, pre-recorded Northern plains flute
Proof of vaccination or negative test within 72 hours and masks required inside venue. Maximum 25 capacity. Musicians will be masked except when playing wind instruments. Reservations encouraged here.
Jonathan Posthuma (b. 1989) is a freelance composer in Saint Paul, Minnesota. His musical style seeks to combine lyricism, evocative imagery, and intense emotional contrasts, yet maintains clarity in form and function at their deepest levels.
He recently received his Masters in Music Composition from the University of Wisconsin – Madison, where he studied with Stephen Dembski and Laura Schwendinger. His orchestral work, Fili di Perle received 3rd Prize in the Karol Szymanowski International Composers Competition in Katowice, Poland and was premiered in March 2016. As part of his degree requirement, Jonathan composed and recorded, The God of Material Things, a song cycle for narrator, soloist, chorus, and orchestra, which sets the poetry of David Schelhaas, professor emeritus of Dordt University, where Jonathan studied composition privately with Luke Dahn while completing his Bachelors in Music Education.
Other recent large ensemble works include An Isthmus Aubade, dedicated to Scott Teeple and the UW-Madison Wind Ensemble and premiered in April 2015 and Concerto Grosso No. 1 for strings, percussion, and piano, commissioned and premiered by the Madison Area Youth Orchestra and Clocks in Motion in June 2015. In August 2017, he participated in the International Workshop of Orchestral Composition at the Federal University of Paraná, where the scherzo from his Chamber Symphony “Beams of Heaven” was premiered by the student orchestra. Among his other awards are 2011 BMI Student Composer Award for Five Studies for Piano: Two Pencils and a Hymnbook and an award for sound design from the Kennedy Center American College Theatre Festival for his incidental music for The Glass Menagerie.
Jonathan is an active member of the Twin Cities choral community and has sung with VocalEssence Chorus, Kantorei, and impulse (MPLS). Several of his choral works have received premieres by these ensembles, including two composed for VocalEssence as part of their ReMix program, designed for emerging composers of choral music, which were premiered at the ACDA National Festival in March 2017 and at Minnesota’s ACDA Festival in November 2017. Recently, he was selected as a participant for the inaugural Mostly Modern Festival, where selections from Paul Klee: Painted Songs, an ongoing collection of chamber works inspired by the visual art of Paul Klee were premiered in addition to a performance of two movements from his Chamber Symphony with the American Modern Orchestra. Jonathan also works in the Development office of The Saint Paul Chamber Orchestra.